E in all the octaves are one of the famous problem notes. But is doesn’t have to be that way. This article will teach you how to improve the note E on the flute. The fingering of E acts kind of like an overtone, that’s why it’s much harder to control.
We need to treat E like we would treat a higher overtone.
An overtone is when we blow a note too hard and it creates the pitch of a higher note instead. Most of time flutists don’t mean to have this happen. It’s one of those ‘oopsies’ that we just have to learn to control over time and with lots of practice.
Included in my online lessons are some harmonic studies and pattern studies that really help those learning how to play the flute.. especially to hit those E’s on tune and on time!
E is one of the sweetest and most poignant notes on the flute
We also need to use a little extra head resonance and faster airspeed. Think of blowing medium-warm air straight up the back of your mouth, like you’re following the line of your spine. Then let the air follow the curves of your head up and over and down through your nose. What this does is access your sinus cavities and engage them so that they are resonating and vibrating too.
If we make a smaller embouchure with a more delicate but defined shape. Create a shape a little bigger than the head of a needle or a pin with a little colored ball on it, then pull down on the muscle under your nose a little. Then target your air like a laser from the point directly between your eyes.
E is one of the sweetest and most poignant notes on the flute. All it needs it a little extra love! 🙂
I guess we should take time to mention that not only is the E note harder to hit, but it is also more out of tune than other notes. Depending on your flute condition, make, model, level, and of course your own flute-playing ability, the note E can be a real bugger.
For example, many flutes seem to naturally play the second octave E kind of flat, and the third octave E is quite sharp. This can pose quite a challenge when trying to learn to play consistently on tune. It’s a tricky trick!
There is a mechanism that some flutes are built with called an “E facilitator”. Not only is the response time of the high (3rd octave) E improved dramatically, but because it allows an extra key to be closed, usually the E is more ‘flat’ than it would be without the facilitator. This can be a really good thing since the notes in the higher octave are generally always sharp (especially for new players) anyway.
This E facilitator key is an ‘add-on’ to the standard flute. So if you want one, you’ll have to speak up when you are searching around for the perfect flute for you.
New things to think about everyday in the world of flute learning! 🙂