[headline style=”1″ font_size=”24″ font_font=”Shadows%20Into%20Light” font_style=”bold” font_color=”%23f96f4d” align=”left” headline_tag=”h2″]How To Fade On The Flute[/headline]
The fade away of a long note can be one of the most effective musical techniques in the playbook. But it also can be a little tricky, because it’s really easy to go flat, or dive bomb the longer you go and the softer you get.
Here are three analogies that explain some crucial principals about good flute playing and will help you feel comfortable and confident with fade-aways or any type of tapers and fades.
The Plane on the Runway
Think of a plane on the runway. As the plane gathers speed, getting faster and faster as it runs out of road, then at the very end, it lifts its nose, and takes off into the air. When we hold out a note, it is the same idea. We need to see every long note like a runway. The longer we hold the note the more energy and faster airspeed we have to use, to compensate for the loosing running out of air. Otherwise, we can lose control of what we are playing. [headline style=”11″ font_size=”24″ align=”right” headline_tag=”h2″]This is the basic motion you should be making to fade or taper..[/headline]
Near the end of the note, we need to redirect our air so it points up, just nose of the plane, but we can’t do it all at once, otherwise the engine can’t handle the movement, just like our air can’t handle such a fast adjustment. Instead, gradually direct your air higher and higher until at the very end of the note, you are basically blowing up into your nostrils. Then you can just fade the air away into glorious nothingness. 🙂
Now when you do this, your bottom lip will basically meet your top lip and seal off the air flow, which stops the note. If you do this gradually enough, then it will sound really natural. It is important to know that when you direct your air up, you are bringing your bottom lip out and up in order to do that.
When you do this, make sure you use your lip more than your jaw. In other words, the movement has to be subtle and small, concentrated to the fewest muscles possible.
If you use your jaw, you’ll start to depend on it, and that will make it tight. Think of a fishhook. Look at how small it is. Think of the hook hooking to the very tip of the middle of your bottom lip, and pulling it out and up just enough to see the wet part of the lip. This is the basic motion you should be making in a taper or in other words, a fade.
Now pretend that your rib cage (front and back) make up the walls of a large balloon. When you hold a note, think of exhaling the air in your diaphragm up into your rib cage, just like filling up a balloon. This helps you save every bit of air you can, and puts it to maximum use. If you let your rib cage collapse, it will make you go flat. Using the balloon idea helps avoid that.
From here, all it takes is getting to know what works for your lips and your lungs, so have at it, have fun, and good luck!
Have any questions? Comment below and I will help you out.
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